New features include: three playback modes (Classic, 1-shot and Slice), ZTX time stretching, beat slicing with Randomize and Auto Randomize, Repeat, Reverse, and a ground-up rewrite of the UI.
Drop in a sample and start stretching, slicing, randomising and transforming audio into just about any sound or instrument you can imagine.
Digital performer 9 requirements upgrade#
This major upgrade of Nanosampler serves as every DP user’s go-to virtual instrument for creating unique beats, instruments and sounds. For both MIDI and audio input, Digital Performer ensures that you’ll never lose that precious, fleeting creative moment. Like magic, users can immediately recall any audio or MIDI material they’ve recently played. Now, DP always listens to both MIDI and audio input sources, capturing everything, even when not recording. Audio Retrospective RecordĭP11 adds audio to its Retrospective Recording capabilities. MX4 and DP’s other included synth plug-ins are MPE-enabled, so users can get started with their MPE controller right away. A new Scale tool allows users to increase or reduce the amount of expression by dragging up or down. Or users can view and edit each controller in a separate lane using DP’s familiar and powerful continuous controller (CC) editing tools. After recording a range of gestures (strike, pressure, slide, glide and lift), users see a single stream of normal MIDI notes each containing their own note-specific controllers (generated by the performance) superimposed on top of each note for easy and intuitive editing in DP’s familiar piano roll. In DP 11, users can record multi-channel output from an MPE controller - such as a Roli Seaboard - as regular MIDI notes with encapsulated MPE expression data. Support for MIDI Polyphonic Expression (MPE) and Per-Note CCs DP’s Graphic Editor provides clear, intuitive editing of articulations in separate lanes. In addition, each articulation can trigger multiple forms of output, from on-velocity changes to note stacks, providing support for even the most advanced orchestra libraries, such as the VSL Synchron engine. Because notes remember their symbol, users can instantly switch maps at any time (to a different sound library, for example). Symbols remain connected to their orchestra library sounds, so that what you see is what you hear. Users can create or import articulation maps to build dynamic instruments and ensembles, allowing them to play, record or program expressive performances with unprecedented realism and musical impact.Įach articulation can be mapped to a symbol, stem ornament, alternate notehead or custom text (such as con sordino) in DP’s QuickScribe notation editor.
Digital performer 9 requirements full#
With DP’s new Articulation Maps feature, users can take full control of the expressive depth of today’s advanced orchestral sound libraries, including VSL, East West, Spitfire, Cinesamples and many others. “We’ve packed new technological advancements into familiar UI elements for easy adoption into users’ daily workflows.” Articulation Maps “DP’s streamlined and customisable user experience is now more powerful than ever,” said Jim Cooper, Director of Marketing at MOTU.
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